He is 74, but is still active on the big screen. Megastar Amitabh Bachchan says he considers himself “fortunate” to be still getting work.

Amitabh, who came into limelight through his ‘Angry young man’ image in films like “Zanjeer”, “Deewaar”, “Sholay”, “Don” and “Muqaddar Ka Sikandar”, is currently shooting for “102 Not Out”, where he will be seen as a 102-year-old man and will play father to veteran actor Rishi Kapoor.

“Fortunate to still be seeing my self thus. ‘Shamitabh’, ‘Piku’, ‘Wazir’, ‘Te3n’, ‘Pink’, ‘Sarkar3’ and ‘102 Not Out’,” Amitabh posted on Twitter on Wednesday alongsite a collage of the characters that he played in recent times.

The film is being directed by Umesh Shukla.

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IANS

Megastar Amitabh Bachchan has completed over four decades of his cinematic journey and says he became an “official entrant” in Bollywood on February 15, 1969.

The 74-year-old on Wednesday night wrote on his blog:

“There is an avalanche of events related to this date – the 15th of February. On this date in 1969… I became an official entrant to the film industry, by signing my very first film, ‘Saat Hindustani’.”

The “Piku” star shared a series of black and white photographs from the film’s set as well:

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In his over four-decade journey in Bollywood, Big B worked in over 100 films and was feted with Padma Shri in 1984, the Padma Bhushan in 2001 and the Padma Vibhushan in 2015 for his contribution to arts.

The government of France honoured him with its highest civilian honour, Knight of the Legion of Honour, in 2007 for his exceptional career in the world of cinema and beyond.

Amitabh has worked in hits like “Bombay to Goa”, “Zanjeer”, “Abhimaan”, “Namak Haraam”, “Sholay”, “Agneepath” and “Deewar”.

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Veteran filmmaker Ramesh Sippy, who directed the 1975 Bollywood classic “Sholay”, says that he did not have enough money to finance the film at that time and had to depend on his father late G.P. Sippy for it.

“While making ‘Sholay’, I was very lucky to have my father back me,” Sippy said here on Tuesday at the fifth edition of “CII Big Picture Summit 2016”.

“I remember, when Dilip Kumar took Rs 1 lakh for doing a film, at that time everybody said that the industry would close down.

“At the time of ‘Sholay’, I didn’t have a budget. I had something in my mind which I shared with my father. The last film he did was ‘Seeta Aur Geeta’, which cost him Rs 40 lakh. It turned out to be a hit. I said to him that I want a crore to make a film and ended up with Rs 3 crore,” he added.

Ramesh said that a lot of people doubted that “Sholay” would do well on the box office.

“The actual cost of the star cast in the film was Rs 20 lakh, as compared to those Rs 3 crore. People even doubted our sanity at that time.

“Today if you make a film of Rs 150 crore, out of that Rs 100 is gone to actors. There is something lopsided about the movie-making business today,” he said.

“Sholay”, starring Sanjeev Kumar, Amitabh Bachchan, Dharmendra, Hema Malini and Jaya Bachchan in the lead, was a massive box office success and is considered as a cult classic in Indian cinema.

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At the summit, Ramesh took part in a session, titled “Indian Cinema – Making the Journey from Volumes to Valuation”. He was joined by actor-filmmaker Shekhar Kapur; Shobu Yarlagadda, co-founder and CEO, Arka Media Works; Karan Ahluwalia, Senior President & Country Head, Media and Entertainment, Fine Arts, Luxury and Sports Banking Group, Yes Bank; and Raj Kumar Akella, Founding Member, Telangana Intellectual Property Crime Unit (TIPCU).

The session was aimed at discussing monetisation and valuation of Indian films.

While Shekhar Kapur, who was moderating the session, pointed out that China is increasing its number of screens faster than India, Ramesh said: “There is a huge government support in China. The private sector is also there, and the government backs those private companies in building theatres. We don’t have that kind of a system in India.”

He added that more than Hollywood films, Indian regional films are giving a competition to Bollywood in India.

“It’s not just the Hollywood films, a lot of regional films are also doing great business today. There are very good films coming out of various regional film industries. ‘Sairat’ has done a business of Rs 100 crore in Maharashtra alone. Similar things are happening in other states as well,” he said.

IANS